Inner Urge | ||||
---|---|---|---|---|
Studio album by | ||||
Released | End of March/early April 1966[1] | |||
Recorded | November 30, 1964 | |||
Studio | Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz, hard bop | |||
Length | 43:14 | |||
Label | Blue Note BST 84189 | |||
Producer | Alfred Lion | |||
Joe Henderson chronology | ||||
|
- Isotope Joe Henderson Analysis
- Joe Henderson Elementary
- Isotope Joe Henderson Lesson
- Joe Henderson Attorney Minneapolis
Listen to Joe Henderson now. Listen to Joe Henderson in full in the Spotify app. Play on Spotify. © 2001 Milestone Records; ℗ 2001 Milestone.
- Jan 01, 2010 50+ videos Play all Mix - Joe Henderson - Isotope YouTube Idle Moments (Rudy Van Gelder Edition / Remastered 1999) - Duration: 14:57. Grant Green - Topic 268,837 views.
- Feb 09, 2017 Provided to YouTube by Universal Music Group Isotope (Rudy Van Gelder Edition / 2004 Digital Remaster) Joe Henderson Inner Urge ℗ 2004 Blue Note Records Re.
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
Penguin Guide to Jazz | (8th ed.) |
All About Jazz | (very favorable)[3] |
The Rolling Stone Jazz Record Guide | [4] |
Inner Urge is an album by jazz saxophonist Joe Henderson released in 1966, the fourth recorded as a leader for Blue Note Records. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on November 30, 1964. It features Henderson playing tenor sax, along with pianist McCoy Tyner and drummer Elvin Jones (both of whom were members of the John Coltrane quartet at the time of the recording). The album's bass player, Bob Cranshaw, was a regular member of Sonny Rollins' band at the time of the recording, and was also a frequent session musician for record labels including Blue Note, Prestige and Atlantic.[5][6]
The compositions[edit]
Jazz critic Nat Hentoff interviewed Henderson for the album's original liner notes essay, and Henderson described the creative impulses behind several of the songs to Hentoff. The title track, 'Inner Urge,' (which has since become a Jazz Standard), was a reflection of a time in his life when Henderson was 'coping with the anger and frustration that can come of trying to find your way in the maze of New York, and of trying to adjust the pace you have to set in hacking your way in that city in order to just exist.' Henderson also told Hentoff that 'Isotope' is a tribute to Thelonious Monk and Monk's use of musical humor. Hentoff writes elsewhere in the liner notes that 'El Barrio' represents Henderson's attachment to the 'Spanish musical ethos', and that the piece was inspired by Henderson reflecting on his childhood in Lima, Ohio. Henderson is quoted as saying that he gave the other musicians 'two simple chords, B minor and C major 7 (B phrygian)', and asked them 'to play something with a Spanish feeling' while he improvised a melody for the piece.[7]
Reception[edit]
The Penguin Guide to Jazz gave the album a four-star rating (of a possible four stars), describing the music as 'dark and intense'.[8]
Track listing[edit]
https://slotentrancement666.weebly.com/ableton-9110-mac-os-reddit.html. All compositions by Joe Henderson, except where noted.
- 'Inner Urge' – 11:58
- 'Isotope' – 9:15
- 'El Barrio' – 7:15
- 'You Know I Care' (Duke Pearson) – 7:22
- 'Night and Day' (Cole Porter) – 7:24
Personnel[edit]
Musicians[edit]
Isotope Joe Henderson Analysis
- Joe Henderson – tenor saxophone
- McCoy Tyner – piano
- Bob Cranshaw – bass
- Elvin Jones – drums
Personnel[edit]
- Alfred Lion – producer
- Francis Wolff – cover photograph
References[edit]
- ^Billboard Apr 9, 1966
- ^Gioffre, Daniel. 'Inner Urge – Joe Henderson | AllMusic'. allmusic.com. Retrieved 17 July 2011.
- ^Weinstein, Norman (2 July 2004). 'Joe Henderson: Inner Urge'. allaboutjazz.com. Retrieved 27 August 2013.
- ^Swenson, J., ed. (1985). The Rolling Stone Jazz Record Guide. USA: Random House/Rolling Stone. p. 100. ISBN0-394-72643-X.
- ^James Beaudreau. 'Review at PopMatters'. Retrieved 2007-07-29.
On November 30, 1964, nine days before John Coltrane would record A Love Supreme in the same room, late tenor saxophonist Joe Henderson brought two-thirds of Coltrane's rhythm section (and bassist Bob Cranshaw) into Rudy Van Gelder's New Jersey studio and recorded an under-recognized masterpiece.
- ^James Beaudreau. 'Review at Allmusic'. Retrieved 2007-07-29.
He is joined on Inner Urge by veterans of other combos: McCoy Tyner and Elvin Jones from John Coltrane's unit and Sonny Rollins sideman Bob Cranshaw
- ^Original liner notes by Nat Hentoff
- ^Cook, Richard; Brian Morton (2006) [1992]. The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz (8th ed.). New York: Penguin. p. 627. ISBN0-14-102327-9.
Retrieved from 'https://en.wikipedia.org/w/index.php?title=Inner_Urge_(Joe_Henderson_album)&oldid=948858668'
![Isotope Joe Henderson Isotope Joe Henderson](/uploads/1/2/6/0/126096885/788565052.gif)
Recorded by the Joe Henderson Big Band
Arranged by Joe Henderson, Edited by Rob DuBoff and Jeffrey Sultanof
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Cat #: JLP-7071
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Edition: Jazz Big Band Arrangement
Description: Swing - Advanced
Publisher: Jazz Lines Publications
In the mid 1960s Joe Henderson and Kenny Dorham formed a rehearsal big band as a vehicle for composition and arranging experimentation. While this band never recorded or performed live, they did get together often to read through new arrangements. Joe Henderson took several of his well-known tunes like Punjab, Shade of Jade, Isotope, and Homestretch (re-named Joe's Blues) and a few standards such as Without a Song and Chelsea Bridge and created harmonically and rhythmically sophisticated arrangements that are deep even by today's big band writing standards. In 1992 Joe Henderson and Don Sickler put together an all-star band to record these arrangements that had been sitting around for many years. The idea was that the band would perform a concert of these arrangements at Lincoln Center and then later that week go into the studio to record. The concert was broadcast by NPR complete with interviews with Freddie Hubbard and Joe Henderson. A second recording session was held 4 years later where arrangements by Bob Belden, Slide Hampton and Michael Philip Mossman were recorded. In 1998 the Joe Henderson Big Band album won a Grammy Award for Best Large Jazz Ensemble Performance.
All of these arrangements feature lengthy solos for a tenor saxophone soloist. Included are open solo sections so that any number of soloists may be featured. In addition, while there was no guitarist used during the recording sessions, we have included a guitar part as Joe had done in his arrangements. These arrangements will require significant time to work them up, but they would be a amazing for any competition or festival!
We'd like to thank the Joe Henderson Big Band producer and conductor Don Sickler for his support of this project.
- Trumpets 1-3: A6, E6, C#6
- Trombone 1: C5
Full Score
Tenor Saxophone Soloist
2 Alto Saxophones
2 Tenor Saxophones
Baritone Saxophone
5 Trumpets
4 Trombones
Guitar (Optional)
Piano
Bass
Drums
Tenor Saxophone Soloist
2 Alto Saxophones
2 Tenor Saxophones
Baritone Saxophone
5 Trumpets
4 Trombones
Guitar (Optional)
Piano
Bass
Drums
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